Earlier this year I went all frothy over Two Door Cinema Club’s rather zingful “Something Good Can Work”. I even offered it as a free download, which would seem to be the ideal opportunity for me to link to it again. Only, er, in changing my hosting and whatnot that link don’t work no more. PISS.
Oh well, here it is again:
In’t that nice? (Yes.)
Now they’re back and they’ve got a noo single called “I Can Talk”, the video representation of which you can see over the internet page.
Aw, lookathis. Christopher Cross, Michael McDonald & The Roots. In sailors’ caps. With two drummers. Doing 70s taxicab classic, “Ride Like The Wind”. S’nice!
Posted by
Stuart Waterman on
Tuesday November 3rd, 2009 at
8:00 am
That little snapshot up there is from Snoop Dogg’s new video, “Gangster Love” “Gangsta Luv”. It’s an odd moment - amongst all the usual lady-based booty-quaking and gyrationalisms, there’s Snoop in the back seat of his whip having noodles chopsticked into his mouth by an Asian “lovely”.
I suppose after a few years in the game you probably run out of ways to humourously objectify women, so it’s heartening to see Snoop and his video director switching things up a bit.
Kudos also for the moment when, while zipping along in a speedboat with another buttock-flaunting entourage, Snoop smacks two ladies on their badonkadonks - and knocks them overboard. Nary a raised eyebrow from Mr. Dogg, of course, despite said ladies’ almost certainly not living to shake their bumcakes again.
As revelations go, the above is about as surprising as waking up in the morning. But Karin Dreijer deserves credit for not giving up on that whole “I’m going to spook the bollocks out of you” vibe she’s been mining for a while, even if she is tipping over into self-parody.
Not that you’ll be thinking in such an analytical fashion when you see her with a big “V” on her face for no particular reason in the vid for “Stranger Than Kindness”. Nay, you’ll be doing your darndest not to shityapants.
Merry Halloween, everyone!*
*I know it’s not Halloween for a couple of days yet, but the chances of me getting time to post again before Saturday are, how you say, “slim to fuck-all”.
Posted by
Stuart Waterman on
Wednesday October 28th, 2009 at
11:54 pm
I’m not one for R&B ballads, really. They tend to be syrupy and over-emotive, which is obviously a generalisation but, you know, given the choice between a ballad and a club “banger” it’s the bangful one that wins me over 85% of the time.
However, like the very best pop songs, Brit soul type McLean’s “Broken” manages to transcend the genre with which it would be most closely associated. It’s a heartbroken, overwrought fist-clencher which, in a landscape of overproduced, autotuned pop spaff with half an eye on ringtone sales, actually makes you believe the singer is properly, hair-tearingly lovewrecked. Marvellous.
It also has a very interesting history, having first surfaced way back in 2006, when McLean went by the name of Digga (since changed because an American artist went by the same name). Unbeknownst to me, it became an online sensation, racking up millions of plays on YouTube and prompting, seemingly, everyone with a webcam to produce their own version. Continue reading »
Posted by
Stuart Waterman on
Tuesday October 20th, 2009 at
8:30 am
Interesting tactic from Ali Love’s PR folk here - sending out an email as if it’s actually FROM Ali Love. There was me thinking a nascent pop star was getting in touch to say hi, but nah, it’s just another email full of remixes.
Still, it got me to open the message and now I’m giving their “client” “coverage”, so job done really.
The email contained his new video “Diminishing Returns”, which you can see below. It’s all a bit dull (unlike the song, which is rather good) until Ali decides to don some chainmail. An underused accoutrement in music videos, the old chainmail.
Having said that, I am telling you now: if I see someone wearing chainmail in an east London bar, I’m emigrating.
You can find anything out on the internet these days. Anything. And when one is investigating an act one is unfamilar with it’s good practice to check out Wikipedia, wait 11 minutes for the artist’s MySpace page to load, and so on.
For once, with Bertie Blackman, I’m not going to do that. I’m going to wait and see if the information comes to me. I’ll pretend this is a fun “experiment” rather than a symptom of my laziness. Do you know anything about Bertie Blackman? Leave information in the comments.
All I know, thanks to YouTube’s geographical info, is that she’s considerably more popular in one country than any other:
Her - yes HER, OMG WEIRD, RIGHT? - song “Thump” is an urgent, immediate, quiet-loud, um, thump in the synapses. I loves it, I do.
There are a couple of remixes here, too. Not as good as the original though, which seems a novel happening these days.
Bertie Blackman - Thump (Duosseudo Mix)
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Bertie Blackman “Thump” (Wild Turkeys Remix)
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Posted by
Stuart Waterman on
Saturday October 3rd, 2009 at
3:00 pm
Bobby Brown appeared on VH1’s Behind The Music last week. If you’re looking for a detailed breakdown of his and Whitney’s daily drug intake you’ll be disappointed, but it does have its highlights.
I think mine is when Bobby says that at the peak of his fame he would find himself on a tour bus, see someone driving a car he liked the look of, follow said vehicle, then purchase it from the driver on the spot with cash. And then discard the car when he had to leave town for the next leg of the tour.
Bobby Brown apparently left cars everywhere, so if you picked up a mysteriously abandoned Porsche around 1989, and there was a crack pipe in the glove compartment, that’s why it was just left outside that strip club.
Watch the full Behind The Music here - but before you go let’s remember this classic clip from Bobby’s appearance on ITV’s 24 Hours With Bobby Brown a couple of years back. Let this be a reminder, should you need one, not to pinch Bobby Brown’s bottom if you’re a bloke.
Posted by
Stuart Waterman on
Monday September 28th, 2009 at
8:30 am